London Philharmonic Choir

  • Home
  • About us
    • About the Choir
    • Podcasts
    • Book
    • History
    • Concerts
    • Recordings & broadcasts
    • Ring the Bells
      • General information
      • FAQs for choirs
      • List of performances
    • Our Royal Patronage and other partnerships
  • Concerts
    • 2025/2026 season
    • 2024/2025 season
    • 2023/2024 season
    • 2022/2023 season
    • 2021/2022 season
    • 2020/2021 season
    • 2010/2011 – 2019/2020
      • 2019/2020 season
      • 2018/2019 season
      • 2017/2018 season
      • 2016/2017 season
      • 2015/2016 season
      • 2014/2015 season
      • 2013/2014 season
      • 2012/2013 season
      • 2011/2012 season
      • 2010/2011 season
    • 2001/2002 – 2009/2010
      • 2009/2010 season
      • 2008/2009 season
      • 2007/2008 season
      • 2006/2007 season
      • 2005/2006 season
      • 2004/2005 season
      • 2003/2004 season
      • 2002/2003 season
      • 2001/2002 season
  • Join us
  • Engage us
  • Members’ area
  • Contact us

Confessions of a BBC Proms Virgin

July 19, 2016 by LPC By our Singers
1
https://www.flickr.com/photos/pahudson

OK, yes I admit it.

I, Olivia Clark, Soprano in the London Philharmonic Choir, am a Proms Virgin (aka PV). Don’t judge. Before writing this article, I am ashamed to say I hadn’t even bothered to find out who Henry Wood was.

Hey, I can feel the judgement burning through your screen. All I knew that he has a very nice rehearsal hall named after him in Southwark – Henry Wood Hall.

I have at least heard of the Proms, I mean, I haven’t been living under a rock the size of the Albert Hall, I’ve just been living in Scotland. Even north of the Wall we understand that the last night of the Proms is a big deal.

I should add for all you Sassenachs, that the Scottish version comes wrapped in tartan. ‘Land of Hope and Glory’ is replaced by ‘Highland Cathedral’, and ‘Rule Britannia’ gets passed over for ‘Auld Lang Syne’, and the Scots, like the Queen, have got the hand-holding down! (For anyone confused, you only exchange opposite arms with your neighbour during the last verse, ‘now here’s a hand my trusty fiere, and gies a hang o’ thine’. It’s a big hint)

That being said, when I moved to London just under a year ago, I was not prepared for the beast that is the Proms, nor did I ever think I’d be singing in them.

To Promenade?

Sir Henry Wood
Sir Henry Wood

Right, so the Proms, or rather The Henry Wood Promenade Concerts, started officially in 1895. The first question I have, as the resident PV, is why ‘promenade’? Does the Albert Hall morph into one giant pump room where the audience listens while taking turns about the room? My good friend, Mr W. Pedia, burst that Georgian fantasy pretty quickly.

It turns out ‘promenade’ originally referred to the eighteenth century tradition of outdoor concerts in London’s pleasure gardens, which might just top my pump room dream.

Next we need to clear up a little grey area: is the verb really ‘to prom’? Does one just prom, or go promming? Oh no. Promming actually refers exclusively to the standing parts of Albert Hall. Take that, seat-sitters! Get your own present participle. Turns out that standing audiences get all the best Prom vocab. They are the pure-blood promenaders, or if you want to save time and energy you may call them Prommers!

Sir Henry

I think it’s probably time I learnt about the big dog, Henry Wood. He was destined to be the sole conductor of the Proms – a condition of another grand fromage in London musical circles, Robert Newman. Newman knew all about putting on concerts, and he decreed that he was “going to run nightly concerts and train the public by easy stages. Popular at first, gradually raising the standard until I have created a public for classical and modern music.”

Henry Wood was his man, and I think he’s probably achieved it. I’m going to go out on a limb here and say that being a promenader (or a seat-sitter) is probably on most British people’s bucket list, along with going to Wimbledon and the Olympics.

Promming

https://www.flickr.com/photos/ianpatterson
Photo by IanPatterson on Flickr

Despite having never sung in the Proms, I have been taken to one. If anyone has not borne witness to the ultimate queueing system in the Classical Music world, then I will attempt to enlighten you. I hadn’t appreciated that mere mortals could just rock up and get a ticket, what a revelation.

I wasn’t just amazed by the idea of queueing outside the hall, but that people had picnics and were totally committed to said queue. Tuxedoed tourists, suited workers, and students alike lined the Kensington streets already, and it was only just gone 6pm. These were 100% authentic Prommers, and I was one of them.

For someone who’d only ever seen the Proms on the BBC, I was intrigued by the standing area, or perhaps we should call it The Prommers’ Perch. Too far? Everyone got pretty comfy. The atmosphere was incredible, bubbling chatter crescendoed until finally the performance began, at which point an electric silence passed over the audience.

It was only about 20 minutes into the violin concerto that I spied the lovely old man behind me lying on his back, with his thick walking socks strapped into his hiking sandals, reading Proust. How sublime.

The Royal Albert Hall

So, that was my first time across the threshold of the Royal Albert Hall. To say I was amazed is an understatement. I was utterly overwhelmed. The music was played to perfection, but it’s also a humongous building. I didn’t realise that was a real organ, I thought the wee arches at the top were just a frieze, and boy I was not prepared for those purple lily pads dangling from the ceiling. Oh, and the sheer amount of red and gold. Hands down, the most impressive building I’ve seen in London.

So now, almost a year on, armed with my utterly flawed knowledge of the great event, I’m preparing my sustained top A’s and cultivating my romantic, German alter-ego for Beethoven’s Symphony No.9 for Prom 13! We’ve had our first rehearsal and I can safely say I’m rather excited. I’ll be losing my Proms virginity in style, singing a pretty epic piece with the lovely LPC.

Win Tickets to see us on Sunday

Tell us below why you love Beethoven and you could win two tickets to see us (including Olivia) perform with London Philharmonic Orchestra at the BBC Proms on Sunday 24 July. The competition closes at 11pm on 20 July.

  • Facebook
  • Twitter
  • Google+
  • Pinterest
  • LinkedIn
  • Tumblr
  • StumbleUpon
  • Reddit
Freude schöner Götterfunken! Choral music at the 2016 BBC Proms
One Day One Choir: A Global Choral Project for Peace

Related Posts

  • pastedGraphic-7
    Music, mental health and Handel’s Messiah
    So much science has shown how positively music, and in particular singing, improves our mental
    May 1, 2025
  • Screenshot 2025-03-21 at 18.03.03
    Symphony of a thousand – the Choir sings Mahler’s Eighth Symphony
    Three choirs, eight starry singers and one of the largest orchestras ever put on stage:
    March 31, 2025
Recent Posts
  • Music, mental health and Handel’s Messiah
  • London Philharmonic Choir appoints Chorus Director, Madeleine Venner
  • Symphony of a thousand – the Choir sings Mahler’s Eighth Symphony
  • It’s movie night!
  • Love is in the air
Archives
  • May 2025
  • April 2025
  • March 2025
  • February 2025
  • January 2025
  • November 2024
  • October 2024
  • September 2024
  • August 2024
  • July 2024
  • May 2024
  • April 2024
  • February 2024
  • November 2023
  • October 2023
  • August 2023
  • June 2023
  • April 2023
  • March 2023
  • August 2022
  • May 2022
  • March 2022
  • February 2022
  • June 2020
  • April 2020
  • October 2019
  • May 2019
  • February 2019
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • May 2018
  • March 2018
  • January 2018
  • December 2017
  • July 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017
  • December 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016
  • January 2016
Categories
  • At the BBC Proms with our singers
  • By our Singers
  • From the Maestro
  • LPC Music Professionals
  • News
  • Notes from our Chairman
  • Our concerts
Patron – HRH Princess Alexandra
President – Sir Mark Elder CBE
Artistic Director – Neville Creed
Associate Chorus Director – Victoria Longdon
London Philharmonic Choir © 2025. Privacy Policy