By our Singers – Page 3 – London Philharmonic Choir

Freude schöner Götterfunken! Choral music at the 2016 BBC Proms

July 6, 2016 by LPC By our Singers

Will Parsons (Bass), is looking forward to our performance of Beethoven’s 9th Symphony as well as many of the choral highlights at this year’s BBC Proms. On Sunday 24th July, with the London Philharmonic Orchestra and Principal

Tchaikovsky’s 1812 Overture – Fireworks, Cannons and Lasers!

May 23, 2016 by LPC By our Singers

Fiona Duffy, Alto, has sung Tchaikovsky’s 1812 overture thirty times – but she still loves it and here’s why… Plundered When some people think of Tchaikovsky, they think of his ballets. But I think

Around the World with Sir Karl Jenkins

May 3, 2016 by LPC By our Singers

On Friday 6th May, we will be teaming up once more with Sir Karl Jenkins to perform his Requiem, as well as his most recent choral work, The Healer: A Cantata for St Luke.

Serenade to Music – Shakespeare’s Influence on Choral Music

April 23, 2016 by LPC By our Singers

Marking the 400th anniversary of William Shakespeare’s death, Bass Richard Miller, currently completing a degree in composition and conducting at the Royal College of Music, looks at the the bard’s influence on choral repertoire. Serenade to

Brahms Requiem dedicated to Maestro Kurt Masur

April 5, 2016 by LPC By our Singers

Susi Underwood, our Alto Rep, has been helping us with our pronunciation in the Brahms Requiem, and looks back on Maestro Kurt Masur, to whom our performance on April 9th is dedicated. The Altos

Getting all of my Quavers in (and on time)!

March 15, 2016 by LPC By our Singers

New soprano and Londoner, Sarah van Staveren, explains why she joined London Philharmonic Choir and shares her experiences over her first few months. In July 2015, I moved 5,711 miles from Shanghai to London

From the Opposite Side of the Music Stand

March 1, 2016 by LPC By our Singers

Over the last few weeks one of our sopranos, Suzannah Lipmann, has been helping us wrap our tongues around the Polish text for our upcoming performances of Szymanowski’s Stabat Mater. Here she shares some insights into the